KENNAN SONATA PDF

Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. Check out Kent Kennan: Sonata for Trumpet and Piano: III. Moderately Fast, With Energy by Giuseppe Galante on Amazon Music. Stream ad-free or purchase. Check out Kent Kennan: Sonata for Trumpet and Piano: I. With Strength and Vigor by Giuseppe Galante on Amazon Music. Stream ad-free or purchase CD’s and.

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Even though the melody sounds like D minor, there is no F of any kind to confirm whether it is major or minor. All of the themes from the exposition are written in the recapitulation Dearden Leave a Reply Cancel reply Enter your comment here Retrieved from ” https: The first theme is played by the trumpet and is muted Dearden The coda only uses fragments of the first theme with a modified rhythm Dearden In the coda, the trumpet is playing with a harmon mute and playing G, the dominant of C, until the last measure, when the line finally resolves to the tonic Dearden He learned to play the organ and the piano and received degrees in composition and music theory from the University of Michigan and the Eastman School of Music.

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Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden sonaat The Recapitulation All of the themes from the exposition are written in the recapitulation Dearden The third theme is sonwta chorale in G that begins in minor and ends in major Dearden None of these keys state a third, so there is no way to tell whether they are major or minor, just like in the first movement Dearden The secondary theme is lyrical, with no fanfares, and in minor Dearden Kennan wanted to write in a similar style of those who he admired, so he modeled his writing style after Paul Hindemith and Howard Hanson, a teacher of his McNamara krnnan His books Counterpoint and The Technique of Orchestration have been widely used as classroom texts.

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This motive will be repeated in many different ways throughout the course of the entire piece Dearden You are commenting using your Facebook account. The main motive that was introduced in the first movement appears frequently in this theme Dearden This statement of the theme ends with a ritardando that goes into a fermata Dearden This first statement begins in minor, goes through Phrygian, and ends in major Dearden His compositions include works for orchestrachamber ensemble and solo instrument as well as songs and choral music.

The coda begins with a slow temp and a trumpet fanfare than is played over a C major chord in the piano Dearden His Night Soliloquy was written in and is set for solo flute, piano and strings.

Movement III — Moderately Fast, with Energy Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden At the age of 23, he was awarded the Rome Prizewhich allowed him to study for three years in Europe, primarily at the American Academy in Rome. The first theme then returns, once again, but it is altered much more than it was when it was stated the second time Dearden This piece is difficult in many ways.

The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden You are commenting using your WordPress. When the trumpet part has a long note or rests, the piano has a more elaborate part to keep the music interesting Dearden The fanfare leads into the slurred motive that is mostly comprised of eighth notes Dearden The recapitulation also begins with a soft dynamic, which is quite the opposite of tradition Dearden This site uses cookies.

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The rest of this movement is based largely around this main theme Dearden From Wikipedia, the free encyclopedia. Dearden, Jennifer Sonaya All of theme motives and variants of these motives are repeated throughout the course of this movement Dearden A four-measure transition that is based on the main motive of the entire piece follows Dearden This theme is only in the piano part Dearden Then a short transition leads into a restatement of the third theme, but this time the soprano line of the chorale is played by the trumpet and the bottom three kennxn are not being played Dearden Most of it is an exact restatement of the exposition, but transposed up a half step Dearden This sojata theme is full of mixed meter, often using asymmetric meters, which is characteristic of the 20 th century style of composing Dearden When the second theme is restated, it is down a half step as well and shortened a little bit Dearden Notify me of new comments via email.

The Coda The transition into the cods is mostly based on sonaata transition theme from earlier in the movement Dearden This entry was posted on Thursday, April 30th, at 3: The three pitches in the first measure begin with the leap of a perfect fifth up, followed by a whole step Dearden His Sonata for Trumpet and Piano is part of the standard repertoire for many collegiate trumpet studios.